Thursday 31 December 2009

HAPPY NEW YEAR!

GREETINGS - THIS BLOG CONTAINS NO GIMMICKS
IT IS SIMPLY A WISH FOR YOU ALL TO HAVE THE BEST, HAPPIEST, BRIGHTEST, BOLDEST, HEALTHIEST, HAPPIEST, MOST PROSPEROUS NEW YEAR YOU EACH CAN.
AND TO THOSE OF YOU WHO HAVE MADE A RESOLUTION TO HAVE A GO AT ART IN THE NEW YEAR, PLEASE REMEMBER THE FOLLOWING PIECE OF ADVICE
I WILL BE WATCHING YOU!
THANK YOU FOR SUPPORTING ME IN 2009
PAUL

Tuesday 29 December 2009

Black Coffee

Why, hello there!

You all know I like to start off with a welcome to new followers of the blog, after all, it's only right - you have made the effort, and today I welcome BJ and Carl - you are very welcome, and I appreciate your support.

Still sober? Why? - (Oh it's only a bit of fun, don't go getting upset.) But, if you are, this will be the best blog you have ever read! If you need to have a black coffee, then go get one now.

Only a couple days left to the New Year, and if I'm honest, I reckon I think more of this time than the rest of the holidays. We all have different thoughts, beliefs etc. and I think the end of the year certainly does mark some form of closure on many things, and the chance of new projects and experiences in the year ahead.

As some sort of artistic resolution - there are projects I would like to get more involved with:
  • making more of the Life Drawing Class and progressing with my watercolours, concentrating on upper torso's as opposed to trying to get a full pose in during the allotted time;
  • trying more portraits in acrylics;
  • more cartoons, maybe some gouache and pen and ink samples too;
  • a couple of larger acrylics done on hardboard (a surface a enjoy working on);
  • and lastly, consider exhibiting my work a little more.
That sounds enough to me - we cannot all be masters of all things, even though at times we may all try, but it's the trying and succeeding that is half the fun of it!

Here is a small selection of what I have done so far at the Life Drawing Class, and as the weeks go by, I want to show some form of improvement. If you look at these too, you will be able to see things where I have gone wrong, and try work out improvements for yourselves, sort of an online class where we work together.



This one I found hard to get his left foot looking something like, which spoils what was turning out to be fairly reasonable work. The colours I was happy with, and this chap has the reddest head of anyone in the world I have ever seen! Before anyone asks - not just reflected from the red blanket.



Well here we are, the last two pictures for today, and I hope you can see something in them. They were both on the same sheet, but I have cropped them somewhat.

They are both done on the Saunders Waterford 300lb Rough paper. Skin tones I feel are getting there, made with my usual mix as described in one of the previous posts. But I hope you can see the pale tones as opposed to the richer one in the male above, done on the Turner 140lb paper - the difference is quite clear I think.

Right - that's enough for this post I reckon.
Time to close methinks.


The figures I know are not perfect by any means - it was the first time I had seen a female nude model and I was shy! But there is something there - and with plenty of practice and some committment on my part, they may well get there yet.

Until next time - whatever your art - enjoy it, and why not make your own resolution and pick that pencil or brush up and have a go!

Regards,

Paul

Thursday 24 December 2009

Wind Down?

Seasonal Felicitations to you all.

Hi everyone. As I usually try and do first off, here's a very big welcome to my new blog followers at the time of typing - Rachael, Sheila, Roger and Angus. Thank you, I do appreciate it, and I hope you enjoy it.

It's Xmas Eve, and I'm hoping that you are just about ready for it all - basically just sat clock watching, waiting for the starting gun to fire. And then? Well especially if you have small children, all hell breaks loose! Why do they never get up that early when it's school? Even if you don't have children, it still seems the same somehow, maybe we are, and always will be, nothing but Big Kids. Hopefully, if you have been good - you may just get some of the art materials you have asked for!

Post title is "Wind Down", and I'm wondering if you actually do something like that if you are of an artistic or creative sort. Do you halt, draw a line under things just because it's the year end? Probably not - it's a lot of wasted effort if you are part way through any work, then you stop it just because the end is nigh! But everyone is different, and there are subtle changes that some people may make. Some actually love to get outside or work from cards or photo's of lovely winter scenes. I suffer from the SAD syndrome, so each thing I work on has to be of a "bright" matter. That means bold, bright colours, or warm subjects. So the one thing I do not do is snow covered olde worlde landscapes.

Me at this time? Well, I'm just copying out and reworking some pen and ink sketches I did a couple of years ago, now having a go at watercolouring them. They are old tools, primarily used for cutting local peat - though everyone makes the best use of what they have, and they were probably used for other things too. I love historical things, and often imagine what tales they could tell if able to. Luckily I was fortunate enough to hold these items, and to get a real idea of what they were all about. Fascinating!

What I am saying, is although I do not relish this time of year weather wise, I can use the time to think of, and work on more cheery subjects for me as an individual. Using this line of thought, I work on smaller things, and use them as practice subjects - getting used to the new papers, paints and brushes I have purchased over the last few months. Having simple items like a 2B pencil, putty rubber and good paper is all that is really needed.

Actually, I was talking to a good friend today who said one of her relatives was an artist, and she had wanted to have a go herself. So I told her to just get the above items and simply have a go - copy as neat or loose as you want, simply shading in the darker areas with varying degrees of pressure. One tip here - do not use a sharpened pencil - that's for writing! Cut back some of the wood and leave a longer end to the pencil - mines about 1/2 inch, then use the pencil on it's side. Sounds wierd at first, and can be awkward to get used to, but it works a lot better when you get the hang of it. If you want to get really technical - using your pencil this way, gets you to use your nails to rest on the paper with, thus avoiding getting any grease or dirt off your hands on to your paper. Finally - always draw very lightly on your paper with your initial efforts until you are happy with the result, then you can start to press on harder. By drawing lightly, it's so much easier to rub out if you have to, and doesn't leave a mess or "dirty" marks.

Right - that's enough for this blog, or I'll have nothing to tell you next time!

Please have a very Merry Xmas, and an even better New Year! Regards to you all.

Paul

Thursday 17 December 2009

A Very Interesting Update

Hello there!

Blog read = tea-break, so pull up a chair, get a brew, and pop on your fave pair of slippers.

First a mention and welcome to 2 of my blog's new followers, Amanda-Jade and Matthew. Thanks for taking the trouble to follow - I appreciate it, and I hope you enjoy what you get to read.

Tuesday's promised report did not happen as I was unexpectedly snowed (oh it is winter) under with other things to do, and Wednsesday, well, I was rather ill, to be polite, and spent all day asleep and doing nothing!

So, today it is then. On Monday evening I took along one 1/4 Imperial size sheet of the Saunders Waterford 300lb paper, as I knew the first pose at least would be fast and furious! Try it for yourselves; sit down and take just 1 minute (timed, and no cheating now) to draw, sketch or even suggest something. It's not as easy as you think. Another couple of quick 1 minute poses, and we were all loosened up, and we set off for the luxury that is a 5 minute pose.

For this, it was time to break out the new paper! And as if by magic (how many remember Mr Ben?), the Hahnemuhle paper appeared. I find it to be a good handy size to carry about and to work on. It's a glued pad of 140lbs paper, and a good looking surface to work on it is too, obviously smoother, but also much brighter. My first impressions were that it takes a good covering of wash without running too much, and I'm not sure that I changed my skin tones any, but they seemed to keep more of their colour, not paling out as with the Saunders Waterford. As I continued working the rest of the colours all appeared brighter, and having more "life" so for me, it is looking like the paper of choice for this type of work. The SW paper is an excellent paper for landscape work, and one I will continue to use for that purpose.

One point on using watercolours; there is a big divide between watercolour artists about using white in their work and others who do not. I have never, ever used white in my still lifes or landscapes, but, for skin tones especially, I do not think that you can beat having white in a mix of cadmium red and either cadimium or lemon yellow. Just my observation.

Having worked my way through a couple of 5 minute poses, it was on to the "big one" - the 40 minute pose which always ends the sessions. The previous few poses had been good, I had enjoyed them and had begun to understand how the paper reacted to different situations (please note begun, and not fully) and so was feeling that little bit more confident in continuing. Now it was just down to me and my ability, so, brush loaded with a light coloured skin toned paint, it was off to draw in my initial sketching.............

I really enjoyed working with this paper, and will continue using it again for my life drawing group. One thing for certain though, is that I will deffinately be ordering some more. Perhaps in the future I will see what it's like for working still life's on, and maybe the odd bit of landscaping. There is also the probability of using it come next spring when I can sit outside and attempt some watercolours of my hens. There is also the interesting thought of using it with ink pens etc!

Hope this has been of some interest to you, and please remember that these are only my personal thoughts.

Until next week - whatever your art - enjoy it.

Paul

Sunday 13 December 2009

Spanners?

Hiya - put your brushes down and grab a cuppa.

As one of my dearest friends would say "hummm". The last couple of posts have been about my finding some sort of parity with my materials for these life drawing sessions. And, to be honest, I thought I had. However, just when I thought that all of my equipment was coming along all nice and organised like - I go and throw a potential spanner in the works.

There are no problems between my brushes and I - we get along just fine. The old saying that a tradesman never blames his tools stands, and my brushes are good ones. My paints and me are at one with each other. I respect their colouring potential, and they respect that they can stain my clothing.

Last piece in the partnership is my paper. For as long as I can remember, or more like since the last time I bought any, I have used Saunders Waterford 300lb rough. A truly grand paper - one I heartily recommend. Enjoyable though it is to use, I am not sure I have the experience to get the best out of it in the time allowed in these sessions, and have thought about using a smoother textured, lighter paper. Something that I can work with quickly, and gives me enough coverage with the amount of paint mixed to use for each pose.

So, last week, after taking things into consideration, I ordered some. Having previously used and enjoyed the Hahnemuhle bamboo paper primarily for gouache works, but also some acrylics, I decided to give their watercolour paper a try. Eventually I decided on some of their "Turner" 140lbs paper -10 sheets, roughly 9.4" x10.6" in size, in a glued pad.

How much excitement can you all stand I ask? A report from tomorrow nights session, plus some technical info on new papers too; will you or be able to sleep. Me? Oh yeah - definately!

Until Tuesday then, whatever your art - please enjoy it responsibly, and remember - a canvass is not just for Xmas - it's for painting on!

Paul

Friday 11 December 2009

The Next Installement

Hi everyone - how's things?

Firstly today I have to welcome 3 new followers of this, my humble blog.

I am unsure if I welcomed Marie when she joined or not - and it's very remiss of me, so - Marie - you are very welcome! There are also 2 more recent followers, they being Phil and Jayne - and a really big welcome to you both too. Thank you all for having taken the trouble, and I do appreciate it. Don't forget, if you know of anyone else who may be interested in joining, then please guide them through the process.

Since Monday I have been practicing with some of the flesh tones and subtle changes that I have encountered at the life drawing sessions. The time I have spent at this venture has now started to come in really handy, as I continue on a couple of acrylics that I am currently working on. Both have fleshy tones and shadows to try and work on, and I hope that I have been able to give them some justice.

This coming Monday is the last one of the current session at the Life Drawing group, so I will have to try and get some good stuff down on my papers to carry me over the end of year break. Talking of that - wonder if Santa will bring me any art supplies or arty related stuff. Probably end up with another Paint By Numbers kit from one of my cheeky friends! Doh!

I have had a think (medication on the way), and there is an amount of my work that people have not seen for one reason or another. So, starting in January I will upload at least one image per week for you to look at, and hopefully enjoy. Some of the images in earlier posting of this blog will be repeated (it sounds like the BBC) but more people will be able to see all of my work over time.

Next post next week after Monday's Life Drawing session, so, until then, enjoy your art.

Paul

Sunday 6 December 2009

The Grindstone

How Ya Doin' Y'all?

Just thought I'd try out a little American - but never mind - maybe not.

Right, tomorrow night it will be back at the alleged grindstone that is the life drawing group, this time with our model Suzanne - and very good at being a model she is too.

Yes, I will once again be taking my watercolours with me, as I think I have finally settled on them as being the most portable and effective way for me to work at these sessions. After all the experimenting I have done, I do think that I get most out of the session this way.

One change I will be making is the following. Up to now I have been using 1/4 Imperial Sheet size paper, which gives lots of room, space and scope for a nice large work. However, the one drawback I have found for me personally, is that it needs an awful lot of water and paint to cover said size of paper. If you have read the last but one posting, then you may have some idea of what I am referring to. So, tomorrow I will be going with a spiralled pad of watercolour paper instead - 11" x7 1/2" in size. I do not do metric! My paper will still be the same - Saunders Waterford 300lb.

For those wanting a little more technical info, well here goes. My paints are all Daler-Rowney Artists Quality tubes of watercolour paint. I have 9 colours in my palette - 3 each of 3 primary colours, plus a tube of Titanium White, and a tube of Neutral Tint. All my brushes are Red Kolinsky Sable, but I do also have 2 Squirrel Hair brushes.

So, until tomorrow, I will take my leave of you, and as always, whatever your art, enjoy it!

Paul

Thursday 3 December 2009

A Recent One


Hi all.

Thought that seeing as I have not posted a picture on this blog for a while, I reckoned I would give you all the chance to see that yes, I have been to the life drawing art group, and that yes, actually I have done something.

So here you all are - just the one, mind!

Hope it's something you might like to comment on, or even enjoy.

But as usual, whatever your art - please, enjoy it.

Paul

Tuesday 1 December 2009

Twister?

Hello again!

Crikey - this blog is seemingly getting carried away, as they now become almost daily. From my well below par initial hope of posting twice a week, I now find myself going to the opposite end of the scale! Anyway, let's make the most of it while we can.

Last night I went to the weekly nude life drawing session, armed with my watercolours as per last week's attempts. Apart from missing the first 3 poses (they are around 1 minute per pose!) while I got set up (lesson learned before even starting), I also learnt one other invaluable lesson - but more of that shortly.

A male on his first ever nude posing assignment was our model for this evening, and he was excellent at it. The only comment being his shaven head (and face) was the most brightly coloured I have seen. It did look at times unnatural, but it was there in front of me. However, it worked very well, as the colours of his head ran and merged into the rest of his body colour with using watercolours.

Now, to my second lesson: last week I mixed five differing skin tones, but often failed to mix enough of each colour. Silly man, you may well say. There is actually very little time in between poses - probably enough to change sheets of paper, never mind mix colours! So, this week it would not be a problem, as having mixed my initial five tones, I added plenty of water to make sure I did not run out. Well what's the problem, I hear you ask? Your five skins tones, and enough of them so as not to run out - what could possibly be wrong with that? Plenty!

Once you have mixed what you think will be enough of each colour, you then have to either be a world Twister Champion, or be such a contortionist that you are able to sit still, and not let the colours run into the adjoining pan on your palette and merge into one yellowy - pinky lake! Doh!

Looking back though, last night I learned 3 lessons; set up ASAP, mix the correct amount of colour, keep your palette still.

But, I really enjoyed the session, and whatever your art, I hope you enjoy it too!

Paul